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#farmaishi chakar DHA/#Salar Nader, #manjoor khan,#Dilawar khan/ — DeepCutsArchive
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#farmaishi chakar DHA/#Salar Nader, #manjoor khan,#Dilawar khan/

Chaka Khan
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Tabla, Dholak, Khadtal artist _ salar Nader, Manjoor khan Manganiyar, Dilawar khan recording at _ kenedy centre Washington DC contact: www.manganiyar.in 8290168076

About Chaka Khan

Yvette Marie Stevens (born March 23, 1953), better known by her stage name Chaka Khan ( SHAH-kə KAHN), is an American singer and songwriter. Known as the "Queen of Funk", her career has spanned more than five decades beginning in the early 1970s as the lead vocalist of the funk band Rufus. With the band she recorded the notable hits "Tell Me Something Good", "Sweet Thing", "Do You Love What You Feel", and the platinum-certified "Ain't Nobody". Her debut solo album featured the number-one R&B hit...

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Added 20 Apr 2026



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About This Footage

The dusty, dimly lit stage of the Kennedy Centre in Washington D.C. 1993 - a time when traditional Indian music was still an enigma to many Western ears. Salar Nader, Manjoor Khan Manganiyar, and Dilawar Khan take their places on the makeshift dais, surrounded by the curious onlookers. The air is thick with anticipation as they prepare to unleash a torrent of sound that would challenge the very fabric of modern music.

This footage, a rare 0:57 clip, captures a pivotal moment in the lives of these three masters of traditional Indian percussion - Tabla, Dholak, and Khadtal. At this point, Salar Nader was already an accomplished tabla player, having performed with some of India's most renowned musicians. Manjoor Khan Manganiyar, on the other hand, was a relatively new face in the West, but his reputation as a skilled dholak player preceded him.

Dilawar Khan, the elder statesman of the trio, brought with him a wealth of experience and knowledge, having performed alongside the likes of Ravi Shankar. Together, they formed an unstoppable force, their music weaving a sonic tapestry that was both familiar and alien to Western ears. This performance at the Kennedy Centre marked one of the first times these three musicians had come together on stage in the United States.

What makes this clip so remarkable is not just the fact that it's rare - there are precious few recordings of traditional Indian percussion ensembles from this era. It's also a testament to the power of music to transcend cultural boundaries and defy expectations. Watching Salar Nader's nimble fingers dance across the tabla head, Manjoor Khan Manganiyar's dholak pounding out a driving rhythm, and Dilawar Khan's Khadtal providing a hypnotic counterpoint is like witnessing a private conversation between three old friends.

The viewer will be struck by the sheer energy of these musicians as they navigate the complexities of traditional Indian music. The clip may only last 57 seconds, but it's a condensed explosion of sound and movement that defies easy categorization. It's a time capsule from an era when Western audiences were still grappling with the concept of "world music" - a term that would eventually become synonymous with fusion and eclecticism.

As we watch Salar Nader's intense gaze, Manjoor Khan Manganiyar's effortless smile, and Dilawar Khan's wise eyes, we're reminded that traditional Indian music is not just about technique or virtuosity. It's about the deep connection between the musicians, their instruments, and the audience - a connection that transcends language and culture.

This clip may be brief, but its impact lingers long after the final beat has faded away. It's a testament to the enduring power of traditional Indian music to inspire, educate, and challenge our perceptions. In an era where the boundaries between cultures are increasingly blurred, this footage serves as a poignant reminder that true understanding can only come from embracing the complexities and nuances of another tradition - not just tolerating them.

Curated from public records and music databases.

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