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Bob Boilen | August 5, 2022 Regina Spektor sat in her hotel room waiting as we tuned the piano behind my desk. In those idle moments, she whipped up a "Tiny Song," and she opens her concert singing this sweet, funny and tiny ditty. "Took a train from New York to D.C. / And everyone was coughing on me," she sings, "But I wore a real tight mask / And got myself a negative COVID test." I won't spoil the rest except to say that what unfolds over the course of the next five songs is the humor and passions I've loved in Regina Spektor's music since receiving an early release of her Soviet Kitsch CD in 2004. Now 18 years later, Regina has made what I believe is her most astonishing record to date, Home, before and after. We hear two songs from this 2022 release, including the album's opening track, "Becoming All Alone." The story has Regina walking home alone when she hears God call out her name: "And He said, 'Hey, Let's grab a beer / It's awful late / We both right here,' " she sings, "And we didn't even have to pay / 'Cause God is God / And He's revered." Their conversation ensues, and Spektor wonders just why life and loneliness don't improve with time. It's the type of truth and whimsy that makes for such heartbreaking music, including old favorites "Fidelity" and "Samson," performed here simply on piano with charm and conviction. SET LIST "Tiny Song" "Loveology" "Becoming All Alone" "Après Moi" "Fidelity" "Samson" MUSICIANS Regina Spektor: piano, vocals TINY DESK TEAM Producer/Creative Director: Bob Boilen Director: Kara Frame Editor: Michael Zamora Audio Engineer: Josh Rogosin Series Producer: Bobby Carter Videographers: Kara Frame, Michael Zamora, Josh Bryant Audio Assistant: Natasha Branch Production Assistants: Jill Britton, Joby Tanseco Tiny Desk Team: Suraya Mohamed, Marissa Lorusso, Hazel Cills, Ashley Pointer, Maia Stern VP, Visuals and Music: Keith Jenkins #TinyDesk #NPRMusic #ReginaSpektor
Regina Ilyinichna Spektor is a Russian-born American singer, songwriter, and pianist.
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The unassuming genius of Regina Spektor is on full display in this 2022 Tiny Desk Concert. At a time when many artists are struggling to find their footing, Spektor has been quietly crafting some of her most astonishing work yet. The fact that she chose to perform at the NPR Music Tiny Desk series, which has become synonymous with intimate and unvarnished live performances, is a testament to her commitment to sharing her music with an audience in its purest form.
The concert itself is a masterclass in restraint and subtlety. Spektor's voice, always a unique blend of whimsy and vulnerability, shines brightly as she tackles six songs from her 2022 album Home, before and after. The opening track, "Becoming All Alone," sets the tone for the rest of the performance, with its wry observations on life, loneliness, and the search for connection. Spektor's piano playing is understated yet effective, providing a gentle backdrop for her soaring vocals.
What makes this concert so remarkable is not just the music itself, but also the context in which it was recorded. The Tiny Desk series has become a beloved institution, offering artists a chance to strip away the trappings of a traditional live show and connect with their audience on a more fundamental level. In Spektor's case, the setting – a hotel room, no less – adds an air of informality and spontaneity to the performance. It's as if she's sharing her music with us from the comfort of her own living room.
The songs themselves are a mix of old favorites and new material, all performed with a quiet intensity that is both captivating and heart-wrenching. "Fidelity" and "Samson" are standout tracks, their piano-driven arrangements imbuing them with a sense of simplicity and elegance. Meanwhile, the newer songs, such as "Becoming All Alone," showcase Spektor's continued growth as a songwriter, her ability to craft lyrics that are both deeply personal and universally relatable.
One of the most striking aspects of this concert is the way it captures Spektor's unique blend of humor and pathos. Her songs often walk a fine line between wit and sadness, and this performance is no exception. Whether she's singing about the absurdities of modern life ("Tiny Song") or grappling with the complexities of human relationships ("Loveology"), Spektor's voice conveys a sense of vulnerability that is both deeply moving and profoundly relatable.
The Tiny Desk team deserves credit for capturing this performance with such intimacy and nuance. The camerawork is unobtrusive, allowing the viewer to focus on Spektor's face and body language as she performs. The sound quality is equally impressive, with a warm and natural tone that perfectly complements Spektor's piano playing.
In short, this Tiny Desk Concert is a must-watch for anyone who has ever been touched by Regina Spektor's music. It's a testament to her enduring talent and her ability to connect with audiences on a deep and fundamental level. Whether you're a longtime fan or just discovering her work, this performance will leave you in awe of her genius and inspired by her creativity.
The concert ends with "Samson," a song that has become one of Spektor's signature tracks. As she sings about the fragility of human connection and the search for meaning in a chaotic world, her voice cracks with emotion, leaving the viewer breathless and moved. It's a fitting conclusion to an unforgettable performance, one that will stay with you long after the music fades away.
Curated from public records and music databases.
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