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Earl Scruggs And Friends - Foggy Mountain Breakdown (2001) — DeepCutsArchive
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Earl Scruggs And Friends - Foggy Mountain Breakdown (2001)

Earl Scruggs
2000s2001TV Appearance


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Written by Earl Scruggs Banjo: Earl Scruggs 2nd banjo solo: Steve Martin 1st electric guitar solo: Vince Gill 2nd electric guitar solo: Albert Lee Acoustic guitar: Randy Scruggs Dobro: Jerry Douglas Fiddle: Glen Duncan Mandolin: Marty Stuart Bass: Glenn Worf Drums: Harry Stinson Harmonica: Gary Scruggs Piano: Paul Shaffer Organ: Leon Russell Recorder: Ron Reynolds Mixer: Ron Reynolds Additional Engineer: Todd Parker © MCA Nashville Earl Scruggs received a second Grammy for his composition of Foggy Mountain Breakdown, at the 44th annual ceremony on February 27, 2002, at the Staples Center in Los Angeles, California. First recorded on December 11, 1949, by the bluegrass artists Flatt & Scruggs and the Foggy Mountain Boys, he first released his instrumental March 15, 1950.  It reached No. 55, and was featured as background music in the 1967 movie Bonnie and Clyde, especially in the car chase scenes, and has been used in a similar manner in many other films and television programs, particularly when depicting a pursuit scene in a rural setting. He recorded it with Lester Flatt and their performance was awarded a Grammy for Best Country Performance, Duo or Group - Vocal Or Instrumental at the 11th ceremony in 1969.  He recorded another performance in 2001 with Steve Martin on second banjo, Vince Gill on guitar, Marty Stuart on mandolin, Paul Shaffer on piano among many others.  This work won the Grammy for Best Country Instrumental Performance in 2002.  In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry.

About Earl Scruggs

Earl Eugene Scruggs was an American musician noted for popularizing a three-finger banjo picking style, now called "Scruggs style", which is a defining characteristic of bluegrass music. His three-finger style of playing was radically different from the traditional way the five-string banjo had previously been played. This new style of playing became popular and elevated the banjo from its previous role as a background rhythm instrument to featured solo status. He popularized the instrument acro...

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Added 20 May 2026

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