Skip to main content
DeepCutsArchive
BrowseArtistsTimelineMapDecadesSubmit

DeepCutsArchive

Preserving the footage that shaped music history. Rare clips, studio sessions, and moments lost to time.

BrowseArtistsGenresDecadesLocationsSubmit a ClipAboutContactEditorial PolicyArticles

© 2026 DeepCutsArchive. All footage remains the property of its original creators.

Privacy PolicyTerms of UseSupport

Developed with love as a personal project by Jamie McDonnell

ui-ux-design.comai-consultancy.company
The Treble Spankers - Enola Gay (Surf, OMD Cover) — DeepCutsArchive
PreviousUse arrow keysNext
0 views
Share this clip

The Treble Spankers - Enola Gay (Surf, OMD Cover)

Recorded Music NZ
1980s1997Interview


Know someone who'd love this clip?

Share it with friends and fellow fans.

Share this clip

Keep Exploring

1970s1990sAll ArtistsAll GenresAll Decades
Rare
Live
youtube

From '' Enola Gay '' Label: Sheep Records – KEBAB 004 Format: Vinyl, 7", Orange Country: Switzerland Released: 1997 Tracklist A Enola Gay Written-By – Andy McCluskey B Vahim Written-By – Frank Gerritsen 🎵 [SONG INFO] "Enola Gay" is an anti-war song by the British synthpop group Orchestral Manoeuvres in the Dark (OMD). It was the only single from the band's 1980 album, Organisation. Written by Andy McCluskey, it addresses the atomic bombing of Hiroshima on 6 August 1945, during the final stages of World War II, and directly mentions three components of the attack: the Boeing B-29 Superfortress Enola Gay, which dropped the nuclear weapon Little Boy on Hiroshima at "8:15". "Enola Gay" has come to be regarded as one of the great pop songs. Critic Ned Raggett in AllMusic lauded the track as "astounding...a flat-out pop classic – clever, heartfelt, thrilling, and confident, not to mention catchy and arranged brilliantly"; colleague Dave Thompson called it a "perfect synth-dance-pop extravaganza." It featured in MusicRadar's "The 40 Greatest Synth Tracks Ever" in 2009, who noted that the song "includes some of the biggest synth hooks of all time." In 2012, NME listed the track among the "100 Best Songs of the 1980s", describing McCluskey's vocal as "brilliantly quizzical" and the song as a "pop classic". It was selected by the BBC for use during the opening ceremony of the 2012 Summer Olympics in London. When released as a single, "Enola Gay", was misperceived by listeners with little knowledge of the Hiroshima bombing as a cryptic identification of the band as homosexual; the track was banned from being played on popular BBC1 programme Swap Shop for fear that it would serve as a corrupting sexual influence on children. Nevertheless, it was an enormous success, going on to sell more than 5 million copies internationally. The song was a hit in many countries, topping the charts in France, Italy and Portugal. It was a sleeper hit in OMD's native UK: the track entered the UK Singles Chart at number 35, but climbed 27 places over the next 3 weeks to reach a peak of number 8, thus becoming the group's first Top 10 hit in their home country. Arrangement In a 2012 interview, the band mentioned that most of the melodic parts were recorded on a Korg Micro-Preset, and that the drum machine sound was "about the last thing to go on" the recording. The song is based on the 50s progression, which repeats throughout the entire song. Title The song is named after the Enola Gay, the USAAF B-29 Superfortress bomber that carried Little Boy, the first atomic bomb to be used in an act of war, dropped on the Japanese city of Hiroshima on 6 August 1945, killing more than 100,000 of its citizens. The name of the bomber itself was chosen by its pilot, Colonel Paul Tibbets, who named it after his mother, Enola Gay Tibbets (1893–1983), who had been named for the heroine of the novel Enola; or, Her fatal mistake. Lyrics The lyrics to the song reflect on the decision to use the bomb and ask the listener to consider whether the bombings were necessary ("It shouldn't ever have to end this way"). The phrase, "Is mother proud of Little Boy today?", is an allusion to both the nickname of the uranium bomb, as well as the fact that pilot Paul Tibbets named the aircraft after his mother. The phrase, "It's 8:15, and that's the time that it's always been", refers to the time of detonation over Hiroshima at 8:15am JST; as many timepieces were 'frozen' by the effects of the blast, it becomes 'the time that it's always been'. The song was also released during controversy surrounding the British Prime Minister Margaret Thatcher's decision to allow US nuclear missiles to be stationed in Britain. Chart (1980–1981) / Peak position Australia (Kent Music Report) / 47 France (IFOP) / 1 Ireland (IRMA) / 14 Italy (FIMI) / 1 New Zealand (Recorded Music NZ) / 31 Portuguese Singles Chart / 1 Spain (AFE) / 1 Switzerland (Schweizer Hitparade) / 2 UK Singles (Official Charts Company) / 8 US Billboard Hot Dance Club Play / 34 Alternate versions An early version of the song with a slightly different arrangement appears on the group's Peel Sessions 1979–1983 album. A live performance, recorded at the Guildhall in Portsmouth, England on 19 September 1980, is featured in the film Urgh! A Music War. Home computer influence The song is popular with early home computer enthusiasts being used in popular computer demos such as Swinth (Commodore 64). 16-Bit computers brought with them the popular music tracker format where no fewer than a dozen versions exist. Waltz with Bashir The song was featured in the critically acclaimed 2008 Israeli film Waltz with Bashir, directed by Ari Folman, which documented the experiences of Folman as a young soldier in the 1982 Lebanon War. The track also features on the Max Richter soundtrack of the film. #omdcover #surf #enolagay #thetreblespankers

About Recorded Music NZ

The name NZZN comes from the members names: Necas, Zica, Ze Nuno. [u]History[/u] NZZN began as a Rock covers band, who played in the Cascais area. The group formed by Necas (guitar), Zica (drums), Zé Nuno (bass), and Armino (vocals) at one point began to compose originals. NZZN rehearsed at the Associação Popular de Paço D´Arcos, Lisbon, and had already done several songs and because Vedeca label was betting on Portuguese Rock bands, the group contacted them in order to get a contract. Follows ...

More about Recorded Music NZ→

Added 7 Apr 2026

Browse by Tag
More from 1980s
All interview

More from the 1980s

View all →
Thumbnail for Napalm Death - Caught In A Dream (live 1986) by Mick Harris, Napalm Death3:35

Napalm Death - Caught In A Dream (live 1986)

Mick Harris, Napalm Death

1980sRareLive
Thumbnail for Napalm Death - Abattoir (live 1986) by Mick Harris, Napalm Death2:58

Napalm Death - Abattoir (live 1986)

Mick Harris, Napalm Death

1980sRareLive
Thumbnail for Sue Foley: BIGGEST OBSTACLE TO OVERCOME by Sue Foley1:10:47

Sue Foley: BIGGEST OBSTACLE TO OVERCOME

Sue Foley

1980sTV AppearanceInterview
Thumbnail for Atomkraft Live in Denmark 1988 / Dance of the Immortals by Ian Swift4:37Advisory

Atomkraft Live in Denmark 1988 / Dance of the Immortals

Ian Swift

1980sLive

More from Recorded Music NZ

View all →
Thumbnail for 1st Recorded Kentucky Hillbilly Fiddle Music Bluegrass song 1900's William Houchens by Recorded Music NZ3:03

1st Recorded Kentucky Hillbilly Fiddle Music Bluegrass song 1900's William Houchens

Recorded Music NZ

Rare
Thumbnail for AMVR ALESSO FT TOVE LO HEROES  WE COULD BE REVERSE V1 VIDEO NOT OFFICIAL FULLY REMASTERED 4K 60FPS by Recorded Music NZ5:12

AMVR ALESSO FT TOVE LO HEROES WE COULD BE REVERSE V1 VIDEO NOT OFFICIAL FULLY REMASTERED 4K 60FPS

Recorded Music NZ

2010sTV AppearanceInterview
Thumbnail for BENEE at The Aotearoa Music Awards 2020 by Recorded Music NZ2:17

BENEE at The Aotearoa Music Awards 2020

Recorded Music NZ

2020sSoloRare
Thumbnail for Song Rights & Royalties with Mike Hall - Episode 7 by Recorded Music NZ56:44

Song Rights & Royalties with Mike Hall - Episode 7

Recorded Music NZ

BackstageRare