Mannish Boy-The Newcomers {Stax/CMG/UMG 1971}
A CONCORD MUSIC GROUP/UNIVERSAL MUSIC GROUP RECORDING!!! in the tradition of stax vocal group soul personnifed by the astors,the mad lads,and the temprees comes memphis trio the newcomers. the group was formed around 1968 and went through a couple of personnel changes. allen jones (producer of the bar-kays) produced "mannish boy" and the band plays superbly on the track. after the demise of stax,the group would change their name to kwick and enjoy success during the 1980's. meanwhile group member randy brown would enjoy a solo career of his own recording for chocolate city and parachute records.
About This Footage
The 1971 clip "Mannish Boy-The Newcomers {Stax/CMG/UMG 1971}" is a rare gem that shines a light on the often-overlooked history of Memphis vocal group soul. Formed around 1968, The Newcomers were one of several groups to emerge from the city's rich musical heritage, drawing inspiration from the likes of The Astors, The Mad Lads, and The Temprees.
The clip itself is a masterclass in harmony-rich vocals and tight instrumentation, with Allen Jones' production skills on full display. As the producer behind the influential Bar-Kays, Jones brought his expertise to bear on "Mannish Boy," resulting in a track that would have fit right in alongside some of Stax's most iconic releases.
What makes this footage particularly notable is its connection to the tumultuous period following Stax Records' decline. The label's demise marked the end of an era for many artists, including those who had come up through its ranks. However, as The Newcomers would go on to demonstrate, even in the face of adversity, talent and perseverance could lead to success.
After changing their name to Kwick in the early 1980s, the group found a new lease on life, enjoying commercial success during that decade. Meanwhile, another member of The Newcomers, Randy Brown, embarked on a solo career, releasing music through notable labels like Chocolate City and Parachute Records. These developments highlight the resilience and adaptability of artists who emerged from the Memphis soul scene.
The "Mannish Boy" clip serves as a testament to the enduring legacy of Stax Records and its impact on the development of American music. Even though The Newcomers' story may not be as well-known as some of their contemporaries, this footage provides an opportunity for fans of rare and obscure soul to appreciate the group's unique sound and style.
Furthermore, the clip offers a fascinating glimpse into the evolution of Memphis vocal group soul during the late 1960s and early 1970s. As the city's musical landscape continued to shift, artists like The Newcomers pushed the boundaries of what was possible within this genre. Their blend of harmonies, instrumentation, and production techniques would influence a new generation of musicians.
In an era where many labels are revisiting their archives and reissuing classic material, it's refreshing to see rare footage like "Mannish Boy-The Newcomers {Stax/CMG/UMG 1971}" surface. This clip not only fills a gap in the historical record but also provides a much-needed reminder of the rich musical heritage that continues to inspire artists today.
The fact that this footage is now available on YouTube, thanks to Concord Music Group and Universal Music Group's efforts, is a testament to the power of digital archiving and preservation. As we continue to explore and celebrate the diversity of American music, rare gems like "Mannish Boy-The Newcomers {Stax/CMG/UMG 1971}" will undoubtedly play an important role in shaping our understanding of this genre's history and evolution.
Curated from public records and music databases.
About The Bar-Kays
The Bar-Kays is an American funk band formed in 1964. The band had dozens of charting singles from the 1960s to the 1980s, including "Soul Finger" in 1967, "Son of Shaft" in 1972, and "Boogie Body Land" in 1980. The Bar-Kays also served as the backing band for a variety of singers, including Isaac Hayes and Otis Redding.
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