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Ten minutes with Steve Gadd / Diez Minutos con Steve Gadd — DeepCutsArchive
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Ten minutes with Steve Gadd / Diez Minutos con Steve Gadd

steve gadd
InterviewRareyoutube

Gracias a la gente de Tamtam percusión, tuve la oportunidad de hacer una rápida entrevista con el mítico bateria Steve Gadd, acompañante de casi toda la gente que importa en el negocio de la música: Paul Simon, Peter Gabriel, Tony Banks, Eric Clapton... Thanks to the people at Tamtam percusión I had the chance to do a fast interview with the great Steve Gadd, drummer with almost anyone in the music bussines, including: Paul Simon, Peter Gabriel, Paul Simon, Tony Banks, Eric Clapton... www.tamtampercusion.com

About steve gadd

Stephen Kendall Gadd (born April 9, 1945) is an American drummer and session musician. Gadd is one of the best-known and most highly regarded session and studio drummers in the industry, recognized by his induction into the Modern Drummer Hall of Fame in 1984. Gadd's performances on Paul Simon's "50 Ways to Leave Your Lover" (1976) and "Late in the Evening" (1980), Herbie Mann's "Hi-jack" (1975) and Steely Dan's "Aja" (1977) are examples of his style. He has worked with other popular musicians f...

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Added 30 Mar 2026



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About This Footage

The rare and intimate footage of Steve Gadd, one of the most renowned session drummers in history, is a treasure trove for music enthusiasts and professionals alike. The 7:06 clip, titled "Ten minutes with Steve Gadd / Diez Minutos con Steve Gadd," offers a unique glimpse into the life and work of this American drumming legend.

The fact that this footage has been made available on YouTube, courtesy of Tamtam percusión, is a testament to the dedication of those who seek to preserve and share rare musical artifacts. The clip's description hints at the significance of Gadd's contributions to the music industry, mentioning his collaborations with iconic artists such as Paul Simon, Peter Gabriel, Tony Banks, and Eric Clapton.

As one of the most in-demand session drummers of all time, Steve Gadd has left an indelible mark on the world of music. His work on classic tracks like "50 Ways to Leave Your Lover," "Late in the Evening," Herbie Mann's "Hi-jack," and Steely Dan's "Aja" is a testament to his versatility and mastery of his craft. Gadd's induction into the Modern Drummer Hall of Fame in 1984 is a well-deserved recognition of his contributions to the industry.

The interview itself, although brief, offers valuable insights into Gadd's experiences working with some of the most influential musicians of our time. His humility and willingness to share stories about his collaborations are refreshing, providing a glimpse into the behind-the-scenes world of music production. The fact that this footage is rare and not widely available makes it all the more precious for those who appreciate the art of drumming and the history of popular music.

The context in which this footage was recorded also adds to its significance. Tamtam percusión, the organization responsible for making this clip available, has done an excellent job of preserving musical heritage. By sharing rare interviews with legendary musicians like Steve Gadd, they are contributing to a greater understanding and appreciation of the art form.

For music historians and enthusiasts, this footage is a treasure trove of information about one of the most influential drummers in history. The opportunity to see and hear Gadd speak about his experiences working with some of the biggest names in music is invaluable. Even for those who are not professional musicians or historians, this clip offers a unique perspective on the creative process and the people behind some of our favorite songs.

In conclusion, "Ten minutes with Steve Gadd / Diez Minutos con Steve Gadd" is a rare and fascinating glimpse into the life and work of one of music's most iconic drummers. The fact that it has been made available online is a testament to the dedication of those who seek to preserve musical heritage for future generations.

Curated from public records and music databases.

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