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Draußen vor der Tür - Schnapssong — DeepCutsArchive
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Draußen vor der Tür - Schnapssong

NWA
2010s2010Rare


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"My Darkest Star" live in concert: Draußen vor der Tür von Wolfgang Borchert Regie: Luk Perceval Musik: My Darkest Star - Felix Knopp (voc), Marco Schmedtje (git), Dirk Ritz (b) und Dog Kessler (dr) Die aus dem Afghanistankrieg zurückkehrenden Bundeswehrsoldaten drängen immer stärker in das gesellschaftliche Bewusstsein. Höchste Zeit. Die Eröffnung des Berliner Traumazentrums für Bundeswehrsoldaten im Jahr 2010 ist dafür nur ein Anzeichen. Über die Generation der Heimkehrer aus einem anderen Krieg schrieb schon 1946 der 26-jährige Hamburger Wolfgang Borchert. Ganz ohne Traumaforschung machte er die Rückkehr des Kriegsheimkehrers Beckmann nach Hamburg als Albtraum erfahrbar. Wie im Fieber wandert er durch die Straßen eines verlorenen Gestern und bleibt doch im Dazwischen stecken: zwischen Leben und Tod, Vergangenheit und Gegenwart, Traum und Realität. Gepeinigt vom immer gleichen Traum, in dem die Toten schreien und ein schauerliches Konzert auf einem Xylophon aus Menschenknochen gespielt wird, sucht er voll Verzweiflung nach einem Ort, wo all das aufhört. Gibt denn keiner, keiner Antwort? In Luk Percevals Inszenierung wird dieses Dazwischen zum absurden Zirkus, zum szenischen Konzert, in dem das bisherige Leben in Traumbildern an uns vorbeizieht. Beckmann singt, schreit, flüstert und dichtet sich die Verzweiflung von der Seele. Das Requiem eines Anfängers. Ein Konzert. Felix Knopp ist gleichzeitig Beckmann und Sänger der Band „My Darkest Star" (in der Thalia Zentrale seit über vier Jahren erfolgreich mit „A trip along Depeche Mode"), deren Musik ihn auf einen Albtraumtrip schickt. Kein Entkommen. Und über ihm schweben und um ihn herum tanzen die Engel, Menschen mit Down-Syndrom aus den Eisenhans-Theaterprojekten, die zum ersten Mal auf der Thalia Bühne stehen. „Sie sind Anfänger? Ja, mein Bester, so leicht geht die Sache im Leben aber nun doch nicht. Nein, das denken Sie sich doch wohl ein bisschen einfach." Kamera: Marat Burnashev, Swantje Basedow, Luk Perceval Schnitt: Marat Burnashev Mehr unter: http://bit.ly/1jhdS5d.

About NWA

Straight Outta Compton is the debut studio album by American hip-hop group N.W.A, released on January 25, 1989, through Priority and Ruthless Records. It was produced by N.W.A members Dr. Dre, DJ Yella, and Arabian Prince, with lyrics written by Eazy-E, Ice Cube and MC Ren, alongside contributions from Ruthless rapper and N.W.A affiliate the D.O.C. The album's lyrics depict the conditions of life in Compton, California, while also expressing hostility toward rival groups and law enforcement. The...

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Added 11 Apr 2026

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About This Footage

This clip page features a 2010 live performance of "Draußen vor der Tür - Schnapssong", a rare and intriguing piece that diverges from the typical expectations of a music archive. The artist in question is not NWA, as one might assume based on the initial mention of the group's name, but rather a different entity altogether.

The performance is actually by Felix Knopp, a vocalist for the band "My Darkest Star", accompanied by Marco Schmedtje (guitar), Dirk Ritz (bass), and Dog Kessler (drums). The song, "Draußen vor der Tür - Schnapssong", appears to be an adaptation of Wolfgang Borchert's play "Draußen vor der Tür", a 1946 work that explores the themes of trauma, loss, and the struggles of returning soldiers.

The live performance is directed by Luk Perceval and features a unique blend of music, drama, and social commentary. The YouTube description highlights the relevance of the piece to contemporary issues, referencing the growing awareness of the psychological effects of war on soldiers returning from combat. This context adds depth to the performance, underscoring its significance as more than just an artistic expression.

The use of actors with Down syndrome from the Eisenhans-Theaterprojekten is a notable aspect of this production. Their presence not only adds a layer of emotional authenticity but also serves as a poignant reminder of the importance of inclusivity and representation in the arts. The fact that they are described as "Anfänger" (beginners) takes on a deeper meaning, highlighting the challenges faced by individuals with disabilities in pursuing their creative passions.

The performance itself is a fusion of music, theater, and social commentary, blurring the lines between art and reality. Felix Knopp's vocals convey the emotional intensity of Borchert's play, while the accompanying musicians create an immersive atmosphere that transports the audience into the world of the piece.

This clip page offers a fascinating glimpse into a unique artistic endeavor, one that combines music, drama, and social commentary to create a powerful and thought-provoking experience. The use of rare footage from 2010 adds to its value as a historical document, providing insight into the creative processes and themes of the time.

The fact that this performance is part of a larger project, including the creation of the Berliner Traumazentrums für Bundeswehrsoldaten (Trauma Center for Bundeswehr Soldiers), underscores the significance of art in addressing real-world issues. By presenting a raw and unflinching portrayal of trauma and its effects, "Draußen vor der Tür - Schnapssong" serves as a powerful reminder of the importance of empathy, understanding, and support for those affected by conflict.

In conclusion, this clip page offers a rare and captivating glimpse into an innovative artistic project that pushes the boundaries of music, drama, and social commentary. The use of rare footage from 2010 adds to its historical significance, providing a unique window into the creative processes of the time.

Curated from public records and music databases.

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