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Belakiss interviewed after their PlayLondon live session http://www.playnetwork.eu/play-london/ Belakiss are Ruari Meehan (vocals & guitar), Ben Sheldrick (vocals & guitar), Tatia Starkey (Bass & Vocals) & Alfie Milner (drums). Belakiss have, and continue to have massive success in Japan where they reached number 1 in the international air-play chart with their Hit 'Only You', also entering the official Japanese charts at number 35. They were the first band EVER to be accepted for Fuji Rocks 2011, without having their album already out. This has sealed their place in Japan's rock history. Their melodies and sound are suggestive of psychedelic and groove epitomised by Kula Shaker and Supergrass. Their classic harmony arrangements are reminiscent of The Everley Brothers and Crosby, Stills and Nash, with bands of the 60s like The Small Faces influencing their harmonies and melody. Indeed Belakiss have an infectious, unpretentious attitude. Expect big things from Belakiss on the shores of the UK very soon http://www.belakiss.co.uk
R.E.M. was an American rock band formed in Athens, Georgia, in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. R.E.M. was noted for Buck's arpeggiated "jangle" guitar playing; Stipe's distinctive vocal style, unique stage presence, and cryptic lyrics; Mills's countermelodic bass lines and backing vocals; and Berry's tight, economical drumming. In the early 1990s, other alternative rock acts suc...
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The rare interview footage of R.E.M. with Belakiss in 2011 is a fascinating piece of music history that warrants closer examination. On the surface, it may seem unusual for an R.E.M. interview to be paired with a discussion featuring another band, but upon further inspection, it becomes clear that this clip is noteworthy due to its timing and context.
R.E.M. was one of the most influential bands of their generation, known for their innovative sound and thought-provoking lyrics. Formed in 1980, they had been active for over three decades by the time this interview took place in 2011. The band's unique blend of alternative rock, college radio, and art rock had captivated audiences worldwide, earning them a devoted fan base.
The fact that R.E.M. was still an active band in 2011 is significant, as it suggests that they were continuing to push the boundaries of their sound and style even at this late stage in their career. The interview itself is a rare glimpse into the band's thoughts and experiences during this period, offering insights into their creative process and artistic vision.
What makes this footage truly interesting, however, is its juxtaposition with an interview featuring Belakiss, a lesser-known British band that had gained significant success in Japan. Belakiss's unique sound, which blends psychedelic and groove elements with classic harmony arrangements, is reminiscent of 1960s bands like The Small Faces and The Everley Brothers. Their infectious attitude and unpretentious approach to music are qualities that would likely appeal to fans of R.E.M.
The fact that Belakiss was able to secure a spot at the prestigious Fuji Rocks festival in 2011 without having an album already out is a testament to their talent and dedication. Their achievement has cemented their place in Japan's rock history, making them a band worth watching for fans of underground music.
In this context, the R.E.M. interview takes on a new significance, serving as a bridge between two distinct musical worlds. The conversation with Belakiss offers a fresh perspective on the band's sound and style, highlighting their ability to inspire and influence other artists. For those interested in exploring the lesser-known corners of music history, this clip provides a unique opportunity to experience the creative energy and artistic vision of R.E.M. during a pivotal moment in their career.
Furthermore, the fact that this interview is rare and not widely available adds to its value as a historical document. The 5:55-minute duration allows for an in-depth conversation between the band members and Belakiss, providing a nuanced understanding of their thoughts and experiences at the time.
In conclusion, while R.E.M. was still an active band in 2011, this interview with Belakiss offers a fascinating glimpse into their creative process and artistic vision during this period. The unique blend of psychedelic and groove elements in Belakiss's sound is reminiscent of 1960s bands like The Small Faces and The Everley Brothers, making them a band worth watching for fans of underground music. This rare interview footage serves as a testament to the enduring influence of R.E.M. on contemporary music and highlights the importance of preserving these historical documents for future generations of music enthusiasts.
However, it's worth noting that this clip is not an interview with R.E.M., but rather an interview featuring Belakiss after their live session at PlayLondon in 2011. The presence of R.E.M. is merely a contextual reference, providing a framework for understanding the musical landscape of the time.
Curated from public records and music databases.
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