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Jefferson Airplane -Somebody to love , White rabbit (live at Woodstock) — DeepCutsArchive
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Jefferson Airplane -Somebody to love , White rabbit (live at Woodstock)

Somebody to Love
1960s1969Rare


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Jefferson Airplane's diamonds performed at Woodstock, on 17th August 1969 . "Somebody to Love", written by Darby Slick and "White rabbit", written by Grace Slick. Jefferson Airplane's performance of these two songs is included in a film called "Woodstock:The Director's Cut" by Michael Wadleigh. "Good mornin',people!" Really digging: Jack's outfit and groovy headbanging, Spencer's hat and badass drumming, Marty's voice, sideburns and tambourine, Jorma's playing and crazy hair, Paul's headband and vocals (well on other songs 😛) and Grace's eyes, barefootness (lol) and mostly her unbelievably amazing voice. Love Jefferson Airplane's spirit. Go ride the music people and enjoy! Edit: I have posted the lyrics in the subtitles area. I think it's helpful! Enjoy everyone!

About Somebody to Love

"Somebody to Love" (originally titled "Someone to Love") is a rock song written by Darby Slick, originally recorded by the Great Society, and later by Jefferson Airplane. Rolling Stone magazine ranked Jefferson Airplane's version No.

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Added 17 Apr 2026

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About This Footage

The raw energy of a bygone era pulses through this 1969 footage, capturing the iconic rock band Jefferson Airplane at their most frenzied and free-spirited performance at Woodstock. The clip, titled "Jefferson Airplane - Somebody to Love, White Rabbit (live at Woodstock)", is a rare gem that offers a glimpse into the counterculture movement's defining moment.

In August 1969, Jefferson Airplane was one of the many acts that took to the stage at Yasgur's farm in New York, bringing their unique blend of psychedelic rock and folk to the masses. The band, consisting of Marty Balin, Paul Kantner, Jorma Kaukonen, Jack Casady, Spencer Dryden, and Grace Slick, was riding high on the success of their 1967 album "Surrealistic Pillow", which had spawned hits like "White Rabbit" and "Somebody to Love". These two songs, in particular, would become anthems for the Woodstock generation.

The footage itself is remarkable not only for its historical significance but also for its raw, unpolished quality. The camerawork is haphazard, capturing the band's performance from multiple angles as they careen through their setlist with reckless abandon. Grace Slick's voice soars on "Somebody to Love", her powerful wail echoing through the crowd as she belts out the song's haunting refrain. Meanwhile, Jorma Kaukonen's guitar work is a marvel of psychedelic wizardry, weaving in and out of Marty Balin's soaring vocals.

This clip is significant not only because it captures Jefferson Airplane at their most incendiary but also because it provides a glimpse into the band's dynamic live performance. The camaraderie between the band members is palpable, with each musician feeding off the others' energy to create a truly transcendent experience. Jack Casady's bass lines thump out a hypnotic beat, while Spencer Dryden's drumming is a whirlwind of activity, propelling the song forward with reckless abandon.

The fact that this footage has been preserved and shared with the world is a testament to the enduring legacy of Woodstock and its impact on popular culture. The festival was more than just a musical event – it was a cultural touchstone, a moment in time when the counterculture movement came together to celebrate peace, love, and music. Jefferson Airplane's performance at Woodstock was a highlight of the festival, and this clip provides a rare opportunity for viewers to experience that magic firsthand.

As you watch this footage, you can't help but be struck by the sense of freedom and abandon that permeates every moment of the performance. It's as if the band is channeling the very essence of the counterculture movement – its rebellious spirit, its desire for change, and its need to express itself through music. Jefferson Airplane's "Somebody to Love" and "White Rabbit" are more than just songs – they're anthems, calling out to a generation that was hungry for something new and different.

The clip ends with Grace Slick's iconic barefoot performance, her eyes closed in rapt attention as she pours her heart and soul into the music. It's a moment of pure magic, one that has been etched into the collective consciousness of rock 'n' roll history. As you watch this footage, you can't help but feel like you're experiencing something truly special – a glimpse into a bygone era, when music was raw, unbridled, and capable of changing the world.

Curated from public records and music databases.

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