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St. Matthew Passion Part 1 | Tenet Vocal Artists and the Sebastians — DeepCutsArchive
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St. Matthew Passion Part 1 | Tenet Vocal Artists and the Sebastians

ConcertFrida
2010s2019


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Johann Sebastian Bach (1685–1750) The Passion According to St. Matthew, BWV 244 (1736) Part 1 Performed live by Tenet Vocal Artists and the Sebastians Friday, March 29, 2019 St. Peter’s Chelsea Episcopal Church New York City Full concert program, including text, translations, artist biographies, and program notes: http://sebastians.org/StMatthewProgram.pdf 0:00:00 - Part 1 0:00:08 - 1. Kommt, ihr Töchter, helft mir klagen 0:07:09 - 2. Da Jesus diese Rede vollendet hatte 0:07:50 - 3. Herzliebster Jesu, was hast du verbrochen 0:08:41 - 4a. Da versammleten sich die Hohenpriester 0:09:08 - 4b. Ja nicht auf das Fest 0:09:24 - 4c. Da nun Jesus war zu Bethanien 0:09:56 - 4d. Wozu dienet dieser Unrat? 0:10:26 - 4e. Da das Jesus merkete, sprach er zu ihnen 0:11:50 - 5. Du lieber Heiland du (Virginia Warnken Kelsey) 0:12:44 - 6. Buß und Reu (Virginia Warnken Kelsey) 0:16:59 - 7. Da ging hin der Zwölfen einer 0:17:37 - 8. Blute nur, du liebes Herz (Laura Heimes) 0:22:20 - 9a. Aber am ersten Tage der süßen Brot 0:22:34 - 9b. Wo willst du, daß wir dir bereiten 0:22:59 - 9c. Er sprach, Gehet hin in die Stadt 0:24:12 - 9d. Und sie wurden sehr betrübt 0:24:23 - 9e. Herr, bin ichs? 0:24:36 - 10. Ich bin's, ich sollte büßen 0:25:22 - 11. Er antwortete und sprach 0:28:18 - 12. Wiewohl mein Herz in Tränen schwimmt (Laura Heimes) 0:29:35 - 13. Ich will dir mein Herze schenken (Laura Heimes) 0:32:48 - 14. Und da sie den Lobgesang gesprochen hatten 0:33:55 - 15. Erkenne mich, mein Hüter 0:34:58 - 16. Petrus aber antwortete und sprach zu ihm 0:36:08 - 17. Ich will hier bei dir stehen 0:37:13 - 18. Da kam Jesus mit ihnen zu einem Hofe 0:38:54 - 19. O Schmerz! hier zittert das gequälte Herz (Gene Stenger) 0:40:49 - 20. Ich will bei meinem Jesu wachen (Gene Stenger) 0:46:00 - 21. Und ging hin ein wenig 0:46:40 - 22. Der Heiland fällt vor seinem Vater nieder (Charles Wesley Evans) 0:47:36 - 23. Gerne will ich mich bequemen (Charles Wesley Evans) 0:51:55 - 24. Und er kamn zu seinen Jüngern 0:53:08 - 25. Was mein Gott will, das g'scheh allzeit 0:54:09 - 26. Und er kam und fand sie aber schlafend 0:56:32 - 27a. So ist mein Jesus nun gefangen (Jolle Greenleaf, Doug Dodson) 1:00:01 - 27b. Sind Blitze, sind Donner in Wolken verschwunden 1:01:10 - 28. Und siehe, einer aus denen 1:03:30 - 29. O Mensch, bewein dein Sünde groß Music Director: Jeffrey Grossman Artistic Director: Jolle Greenleaf Tenet Vocal Artists Evangelist: Aaron Sheehan Jesus: Tyler Duncan Soprano soloists: Jolle Greenleaf, Laura Heimes Alto soloists: Doug Dodson, Virginia Warnken Kelsey Tenor soloists: Jason McStoots, Gene Stenger Bass soloists: Charles Wesley Evans, Sumner Thompson Ripieno chorus: Martha Cluver, Jonathan May, Donald Meineke, Enrico Lagasca The Sebastians Orchestra I Traverso: David Ross, Andrea LeBlanc Oboe, Oboe d’amore, Oboe da caccia: Gonzalo X. Ruiz, Kristin Olson Violin I: Daniel Lee, Chloe Fedor, Augusta McKay Lodge Violin II: Beth Wenstrom Alana Youssefian Viola: Theresa Salomon Stephen Goist Viola da gamba: Shirley Hunt Violoncello: Ezra Seltzer Contrabass: Nathaniel Chase Organ: Jeffrey Grossman Orchestra II Traverso: Immanuel Davis, Mili Chang Oboe, Oboe d’amore: Caroline Giassi, Julie Brye Violin I: Nicholas DiEugenio, Karen Dekker, Dongmyung Ahn Violin II: Francis Liu, Tatiana Daubek Viola: Lisa Rautenberg, Scot Moore Violoncello, Viola da gamba: Shirley Hunt Contrabass: Doug Balliett Organ: Michael Beattie www.tenet.nyc www.sebastians.org Video recording: Erik Ryding Audio recording: Paul Howells Audio/video editing and mastering: Overtone Audio

About Concert

A concert, known informally as a gig or show, is a live performance of music in front of an audience. The performance may be carried by a single musician, in which case it is sometimes called a recital, or by a musical ensemble such as an orchestra, choir, or band. Concerts are held in a wide variety of settings and sizes, spanning from venues such as private houses and small nightclubs to mid-sized concert halls and finally to large arenas and stadiums, as well as outdoor venues such as amphith...

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