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Rita Dyan - Farah - June 29, 1968 Busch Barbecue for Edison employees — DeepCutsArchive
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Rita Dyan - Farah - June 29, 1968 Busch Barbecue for Edison employees

Head
1960s1968Rareyoutube

Rita's first So Cal performance, June 29, 1968. Fresh from the tullies, lol (El Paso, TX). BABY bellydancer here. You can really see the flamenco and dabke influences. That was Rita's first formal training; many thanks to the Haddad, Shaheen and George families, St. George Haflas, and her Saudi/Kuwaiti *brothers* at TWC (later UTEP). Sharing their customs, dance and folkloric information was a blessing to her. (The costume was straight out of James Bond.) Then headed out to California and proper instruction. Saw Diane Webber and Jamila Salimpour was blown away, and it finally came together. It gets better with succeeding vids. Best ones are still waiting to be dubbed onto DVD from Super-8 film.

Added 30 Mar 2026



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About This Footage

This 1968 footage of Rita Dyan performing "Farah" at the Busch Barbecue for Edison employees is a rare and fascinating glimpse into the early career of a pioneering bellydancer. The clip, which clocks in at 2:42 minutes, showcases Rita's first performance on the West Coast, marking a significant milestone in her development as an artist.

What makes this footage particularly notable is its documentation of Rita's unique blend of styles, which was heavily influenced by flamenco and dabke traditions. As the YouTube description notes, these influences were shaped by her formal training with various instructors, including members of the Haddad, Shaheen, and George families, who introduced her to Middle Eastern and North African folkloric dance. The description also highlights Rita's exposure to other influential dancers, such as Diane Webber and Jamila Salimpour, whose work would have a lasting impact on her artistry.

The performance itself is a captivating display of energy and charisma, with Rita's expressive movements and dynamic stage presence drawing the viewer in. Her costume, described as "straight out of James Bond," adds to the exoticism and allure of the performance, underscoring the enduring appeal of bellydance as a fusion of cultural traditions.

From an archival perspective, this footage is significant because it represents one of the earliest recorded performances by Rita Dyan on the West Coast. As the description hints at the existence of other, unreleased footage from the same period, this clip takes on added importance as a rare and precious artifact of her early career. The fact that some of these performances are still waiting to be transferred onto DVD from Super-8 film underscores the fragility of such historical records and the importance of preserving them for future generations.

The rarity of this footage also speaks to the relatively underdocumented history of bellydance in the United States during the 1960s. As a genre that has been shaped by various cultural influences, bellydance has often existed at the margins of mainstream popular culture. This clip provides valuable insight into the early days of American bellydance, highlighting the key figures and traditions that helped shape its development.

In terms of its artistic significance, this footage offers a unique window into Rita Dyan's creative process and artistic vision. As a dancer who would go on to make significant contributions to the evolution of bellydance in the United States, her early performances provide a fascinating glimpse into the ways in which she drew upon diverse influences to create something innovative and distinctive.

Overall, this 1968 footage of Rita Dyan performing "Farah" is an essential addition to any collection of rare and historic dance performances. Its significance extends beyond its rarity as a document of American bellydance history, offering a captivating performance that showcases the artist's unique blend of styles and her enduring charisma on stage.

Curated from public records and music databases.

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