Rare rare footage of Emil Schult, curated from across the internet. We're actively searching for footage — check back soon.
The rarest footage in the archive — clips that most fans have never seen and many didn’t know existed. Private recordings, forgotten television appearances, bootleg tapes that surfaced decades later, and moments captured by someone who happened to be in the right place at the right time. These are the clips that make you stop scrolling.
Emil Schult (born 10 October 1946) is a German painter, poet and audio-visual artist.
Full Emil Schultarchive →No rare clips of Emil Schult yet — we're working on it.
Emil Schult's presence in the rare footage archive is a testament to his multifaceted career as an artist, spanning painting, poetry, and audio-visual endeavors. The two clips available on this page offer a glimpse into his work with Kraftwerk, one of the most influential electronic music groups of all time.
The first clip, "KRAFTWERK - THE MODEL (Ralf Hütter Karl Bartos Emil Schult) - Cover by BLUSHING FLOWER," is not directly related to Schult's own artistic output. Instead, it appears to be a cover version of Kraftwerk's iconic song "The Model." While the clip does feature Ralf Hütter and Karl Bartos, two founding members of Kraftwerk, Emil Schult's involvement is unclear. It's possible that he was involved in the production or conceptualization of this particular cover, but without further information, it's difficult to say.
In contrast, the second clip, "Das Model (Text: Emil Schult, Musik: Karl Batos u. Ralf Hutter) hier interpretiert von Jürgen Fastje," offers a more direct connection to Schult's work. Here, we see an interpretation of Kraftwerk's song by Jürgen Fastje, with the lyrics written by Emil Schult himself. This clip highlights Schult's role as a poet and lyricist, demonstrating his ability to craft words that complement the music.
The fact that Schult was involved in writing the lyrics for "Das Model" underscores his significance within Kraftwerk's creative process. As a member of the group, he brought a unique perspective to their work, one that blended visual art with audio-visual experimentation. This fusion is characteristic of Kraftwerk's innovative approach to music and art, which has had a lasting impact on electronic music and beyond.
The rarity of these clips speaks to the ephemeral nature of artistic output in the 1970s and 1980s. Many recordings from this era have been lost or forgotten over time, making them all the more precious when they resurface. In Schult's case, his involvement with Kraftwerk was a significant aspect of his career, but it's clear that he also pursued other artistic endeavors outside of music.
One possible area for further exploration is Schult's work as a painter and visual artist. While there may not be any rare footage available on this page, it would be fascinating to see how his visual style and aesthetic influenced his collaborations with Kraftwerk. Did his paintings or installations inform the group's use of visuals in their live performances? How did his artistic perspective shape the lyrics he wrote for "Das Model"?
Unfortunately, without more information about Schult's individual projects and exhibitions, it's difficult to make any definitive connections between his visual art and music. Nevertheless, the available clips on this page offer a tantalizing glimpse into his work with Kraftwerk, highlighting his importance as both a poet and a member of one of the most influential electronic music groups in history.
The rarity of these clips also underscores the value of archival efforts like DeepCutsArchive. By preserving and making accessible previously unknown or forgotten footage, we can gain new insights into the creative processes and artistic collaborations that have shaped our understanding of music and art. In Schult's case, his involvement with Kraftwerk is a testament to the power of interdisciplinary collaboration and the importance of exploring the intersections between different art forms.
As we continue to explore the rare footage archive, it will be interesting to see how Schult's work with Kraftwerk fits into the larger context of electronic music history. Will further clips emerge that shed more light on his role within the group? How did his artistic vision influence the development of Kraftwerk's sound and style? These questions may not have definitive answers at this time, but they serve as a reminder of the importance of preserving and celebrating the creative output of artists like Emil Schult.
Curated from public records and music databases.