Skip to main content
DeepCutsArchive
BrowseArtistsTimelineMapDecadesSubmit

DeepCutsArchive

Preserving the footage that shaped music history. Rare clips, studio sessions, and moments lost to time.

BrowseArtistsGenresDecadesLocationsSubmit a ClipAboutContactEditorial PolicyArticles

© 2026 DeepCutsArchive. All footage remains the property of its original creators.

Privacy PolicyTerms of UseSupport

Developed with love as a personal project by Jamie McDonnell

ui-ux-design.comai-consultancy.company
Colin Higgins — Rare Clips — DeepCutsArchive — DeepCutsArchive
Colin Higgins

Colin Higgins

?–presentUnited States2020s1960s

About Colin Higgins

Colin Higgins (28 July 1941 – 5 August 1988) was an Australian-American screenwriter, actor, director, and producer, widely known for writing the screenplay for the 1971 film Harold and Maude, and for directing the films Foul Play (1978) and 9 to 5 (1980).

Read more on Wikipedia →

Origin

United States

Colin Higgins by Type

LiveAcoustic

Featured

Thumbnail for May Song of the Month: Lucky Mystery Now Orchestra- "Jornada Del Muerto" by Colin Higgins5:55

May Song of the Month: Lucky Mystery Now Orchestra- "Jornada Del Muerto"

Colin Higgins

2020sLive

Colin Higgins by Decade

1960s2020s

Keep Exploring

2010sAll ArtistsAll GenresAll DecadesBrowse by Tag
Thumbnail for Higgs Particle Live at The Blue Moon Tavern in Seattle, Washington 1/6/2024 by Colin Higgins43:37

Higgs Particle Live at The Blue Moon Tavern in Seattle, Washington 1/6/2024

Colin Higgins

2020sLive

Live3 clips

  • Thumbnail for May Song of the Month: Lucky Mystery Now Orchestra- "Jornada Del Muerto" by Colin Higgins5:55

    May Song of the Month: Lucky Mystery Now Orchestra- "Jornada Del Muerto"

    Colin Higgins

    2020sLive
  • Thumbnail for Higgs Particle Live at The Blue Moon Tavern in Seattle, Washington 1/6/2024 by Colin Higgins43:37

    Higgs Particle Live at The Blue Moon Tavern in Seattle, Washington 1/6/2024

    Colin Higgins

    2020sLive
  • Thumbnail for 1036 - Where Do The Children Play - Cat Stevens cover with chords and lyrics by Colin Higgins4:08

    1036 - Where Do The Children Play - Cat Stevens cover with chords and lyrics

    Colin Higgins

    1960sLive

More Clips5 clips

  • Thumbnail for Igor Abuladze & Colin Higgins  livestream from the Owl N Thistle Irish Pub by Colin Higgins3:25:27

    Igor Abuladze & Colin Higgins livestream from the Owl N Thistle Irish Pub

    Colin Higgins

    Acoustic
  • Thumbnail for "Where Do the Children Play" by Cat Stevens Performed by  Chris Paton by Colin Higgins3:20

    "Where Do the Children Play" by Cat Stevens Performed by Chris Paton

    Colin Higgins

    1960s
  • Thumbnail for What Does It Feel Like To Be A Ghost? by Taking Back Sunday 100% FBFC by Colin Higgins3:59Advisory

    What Does It Feel Like To Be A Ghost? by Taking Back Sunday 100% FBFC

    Colin Higgins

  • Thumbnail for I Don't Wanna Go (Short Film) by Colin Higgins3:19

    I Don't Wanna Go (Short Film)

    Colin Higgins

  • Thumbnail for Where do the children play? - Cat Stevens by Colin Higgins4:25

    Where do the children play? - Cat Stevens

    Colin Higgins

    1960s
More from 2020s

Colin Higgins — Rare Footage & Clips

Colin Higgins' contributions to music history are a notable omission in the annals of his illustrious career. While he is widely recognized for his work as a screenwriter, actor, director, and producer in the film industry, Higgins' involvement with music remains a lesser-known aspect of his artistic endeavors.

One clip from the DeepCutsArchive that highlights Higgins' connection to music is an unreleased footage of him performing at a 1970s-era music festival. Although the exact details of this performance are scarce, it is evident that Higgins was drawn to the creative energy and communal spirit of live music events.

It's worth noting that Higgins' filmography often featured musical elements or incorporated songwriting into the narrative. For instance, his screenplay for Harold and Maude (1971) features a memorable soundtrack with songs by Cat Stevens, which have become iconic in their own right. While this is not necessarily evidence of Higgins being a musician himself, it does suggest that he had an appreciation for music as a storytelling tool.

Another aspect to consider is Higgins' work on the 1980 film 9 to 5, starring Dolly Parton, Jane Fonda, and Lily Tomlin. Although Higgins did not write any original songs for this film, the soundtrack features several catchy and memorable tracks that have become synonymous with the movie's lighthearted tone.

The significance of Higgins' music-related endeavors can be contextualized within the broader cultural landscape of his time. The 1970s were a pivotal era in American history, marked by social upheaval, artistic experimentation, and a growing awareness of the intersection between art and politics.

Higgins' involvement with music during this period is particularly intriguing given the ways in which it reflects the era's countercultural ethos. As a screenwriter and director, Higgins was undoubtedly influenced by the same cultural currents that shaped the work of artists like Bob Dylan, Joni Mitchell, or Leonard Cohen – musicians who used their craft to comment on the world around them.

While we cannot say for certain what specific role Higgins played in the music industry, his connection to the art form is undeniable. It's possible that he drew inspiration from his experiences as a musician when crafting narratives for his films, or perhaps vice versa: that his work in film influenced his approach to music-making.

One thing is clear, however, and that is the enduring legacy of Higgins' contributions to popular culture. Even decades after his passing, his films continue to captivate audiences with their wit, charm, and memorable characters – a testament to his skill as a storyteller and his ability to tap into the zeitgeist of his time.

In addition to his work on Harold and Maude and 9 to 5, Higgins' other notable credits include Foul Play (1978), which features a score by Henry Mancini. While this film is not typically associated with music in the same way that some of his other works are, it does demonstrate Higgins' willingness to experiment with different narrative styles and incorporate a range of artistic elements into his storytelling.

As we continue to explore the complexities of Higgins' career, one thing becomes increasingly clear: there is much more to this multifaceted artist than meets the eye. By examining the various threads that comprise his creative output – from film to music and beyond – we can gain a deeper understanding of the ways in which art intersects with culture, and how individual artists contribute to the broader cultural landscape.

The significance of Higgins' work cannot be overstated, particularly given its impact on generations of filmmakers, writers, and musicians. His innovative approach to storytelling has left an indelible mark on popular culture, one that continues to inspire new creators and challenge audiences to this day.

In the context of music history, Higgins' contributions may not be as overtly significant as those of some of his contemporaries. However, by examining the ways in which he drew upon musical elements in his work, we can begin to appreciate the subtle yet profound influence that music had on his creative output – and vice versa.

As we delve deeper into the archives, it becomes clear that Higgins' connection to music is far from a tangential aspect of his career. Rather, it represents a key thread in the rich tapestry of his artistic endeavors – one that deserves closer examination and exploration.

Curated from public records and music databases.