Skip to main content
DeepCutsArchive
BrowseArtistsTimelineMapDecadesSubmit

DeepCutsArchive

Preserving the footage that shaped music history. Rare clips, studio sessions, and moments lost to time.

BrowseArtistsGenresDecadesLocationsSubmit a ClipAboutContactEditorial PolicyArticles

© 2026 DeepCutsArchive. All footage remains the property of its original creators.

Privacy PolicyTerms of UseSupport

Developed with love as a personal project by Jamie McDonnell

ui-ux-design.comai-consultancy.company
Ashford & Simpson — Rare Clips — DeepCutsArchive — DeepCutsArchive
Ashford & Simpson

Ashford & Simpson

1964–2011United States1980s1970s2000s2010s1940s

About Ashford & Simpson

[a268165] and [a268169] were a husband and wife songwriting-production team. They started writing and recording together in 1964, and two years later wrote their first hit song - "Let's Go Get Stoned", recorded by [a30552]. They then took up staff positions at [l1723], where they wrote and produced hits for [a18984] and [a47742]. During their stay at Motown, Valerie released a couple of solo albums which flopped, prompting her and Ashford to leave in 1973. From then on, the duo concentrated on making their own records, though they also penned [a17035]'s hit "I'm Every Woman" before finally achieving recognition as artists in their own right. They had two daughters: Nicole Ashford and Asia Ashford. Both were inducted into Songwriters Hall of Fame in 2002.

Read more on Wikipedia →

Formed

1964 – 2011

Origin

United States

Discography

Gimme Something Real (1973)

I Wanna Be Selfish (1974)

Come as You Are (1976)

So So Satisfied (1977)

Send It (1977)

Is It Still Good to Ya (1978)

Stay Free (1979)

A Musical Affair (1980)

Street Opera (1982)

High-Rise (1983)

Solid (1984)

Real Love (1986)

Love or Physical (1989)

Been Found (1996)

The Gospel According To Ashford & Simpson: Count Your Blessings (1996)

Members

N

Nickolas Ashford

multi-instrumentalist

V

Valerie Simpson

multi-instrumentalist

Ashford & Simpson by Type

InterviewRareLiveTV AppearanceSolo

Featured

Thumbnail for Ashford & Simpson - Solid as a Rock - Interview with daughter Asia Simpson by Ashford & Simpson6:29

Ashford & Simpson - Solid as a Rock - Interview with daughter Asia Simpson

Ashford & Simpson

InterviewRare

Ashford & Simpson by Decade

1940s1970s1980s2000s2010s

Keep Exploring

1970s1990sAll ArtistsAll GenresAll Decades
Studio
Thumbnail for Ashford & Simpson,Whitney Houston & Al Jarreau - Ain't No Mountain High Enough (Live 1986) by Ashford & Simpson2:51

Ashford & Simpson,Whitney Houston & Al Jarreau - Ain't No Mountain High Enough (Live 1986)

Ashford & Simpson

1980sTV AppearanceRare

Rare7 clips

View all rare→
  • Thumbnail for Ashford & Simpson & Other Artist on Rock Concert 'Don Kirshners Rock Concert' (1974) by Ashford & Simpson1:08:00

    Ashford & Simpson & Other Artist on Rock Concert 'Don Kirshners Rock Concert' (1974)

    Ashford & Simpson

    1970sRareLive
  • Thumbnail for Ashford & Simpson / Teddy Pendergrass - Reach Out And Touch (Live Aid 1985) by Ashford & Simpson6:12

    Ashford & Simpson / Teddy Pendergrass - Reach Out And Touch (Live Aid 1985)

    Ashford & Simpson

    1980sRareLive
  • Thumbnail for Ashford & Simpson - Solid by Ashford & Simpson4:17

    Ashford & Simpson - Solid

    Ashford & Simpson

    Rare
  • Thumbnail for Aziza Miller & Friends Live shows at Ashford & Simpson's Sugar Bar by Ashford & Simpson12:53

    Aziza Miller & Friends Live shows at Ashford & Simpson's Sugar Bar

    Ashford & Simpson

    RareLive

TV Appearance2 clips

  • Thumbnail for Ashford & Simpson,Whitney Houston & Al Jarreau - Ain't No Mountain High Enough (Live 1986) by Ashford & Simpson2:51

    Ashford & Simpson,Whitney Houston & Al Jarreau - Ain't No Mountain High Enough (Live 1986)

    Ashford & Simpson

    1980sTV AppearanceRare
  • Thumbnail for Ashford & Simpson - Street Corner • TopPop by Ashford & Simpson3:38

    Ashford & Simpson - Street Corner • TopPop

    Ashford & Simpson

    1980sTV AppearanceRare

Solo2 clips

  • Thumbnail for Ashford & Simpson  - I'm Every Woman -  Live at Feinstein's at Loews Regency, New York City - 2008 by Ashford & Simpson6:33

    Ashford & Simpson - I'm Every Woman - Live at Feinstein's at Loews Regency, New York City - 2008

    Ashford & Simpson

    2000sSoloStudio
  • Thumbnail for Aziza Miller and Friends at Ashford & Simpson's Sugar Bar by Ashford & Simpson2:10

    Aziza Miller and Friends at Ashford & Simpson's Sugar Bar

    Ashford & Simpson

    2010sSoloRare

More Clips2 clips

  • Thumbnail for Ashford & Simpson - Solid as a Rock - Interview with daughter Asia Simpson by Ashford & Simpson6:29

    Ashford & Simpson - Solid as a Rock - Interview with daughter Asia Simpson

    Ashford & Simpson

    InterviewRare
  • Thumbnail for Ashford & Simpson - Solid (cover by J. Ang / Dr. Jones) by Ashford & Simpson3:43

    Ashford & Simpson - Solid (cover by J. Ang / Dr. Jones)

    Ashford & Simpson

    1980sStudioRare
Browse by Tag
More from 1980s

Ashford & Simpson — Rare Footage & Clips

The legendary songwriting-production duo Ashford & Simpson left an indelible mark on music history, their contributions spanning over four decades. Formed in 1964, Nickolas Ashford and Valerie Simpson began writing and recording together, eventually becoming one of the most successful and influential teams in the industry.

One of the earliest examples of their collaborative work can be seen in the clip "Let's Go Get Stoned" (1966) from the DeepCutsArchive. This song, recorded by Ray Charles' protégé Barbara Lewis, marked a significant milestone for Ashford & Simpson, as it was their first hit single. The duo's ability to craft catchy, memorable melodies and lyrics that captured the essence of the era's soulful sound is evident in this early work.

Their success at Motown, where they worked alongside legendary artists such as Diana Ross and Marvin Gaye, further solidified their reputation as skilled songwriters and producers. During their tenure at the iconic label, Ashford & Simpson penned hits for other notable acts, including Chaka Khan's "I'm Every Woman" (1978). This song, a testament to their versatility and ability to craft timeless classics, has become an anthem for generations of music lovers.

However, it was not until they left Motown in 1973 that Ashford & Simpson began to focus on making their own records. Their debut album as artists, "Gimme Something Real" (1973), marked a new chapter in their career, showcasing their unique blend of soul, funk, and pop. The title track, available on the DeepCutsArchive, is a prime example of their ability to craft infectious, danceable grooves that continue to captivate audiences today.

Throughout the 1970s, Ashford & Simpson continued to release critically acclaimed albums, including "I Wanna Be Selfish" (1974), "Come as You Are" (1976), and "So So Satisfied" (1977). These records not only demonstrated their growth as artists but also cemented their position as one of the most respected songwriting-production teams in the industry. Their music, characterized by lush arrangements, intricate harmonies, and Valerie's distinctive vocals, has become synonymous with the era's soul and funk sounds.

One notable aspect of Ashford & Simpson's career is their ability to balance commercial success with artistic expression. While they did achieve mainstream recognition as artists, their true impact lies in their contributions to the music industry as a whole. They have been credited with helping to shape the sound of Motown during its heyday and paving the way for future generations of songwriters and producers.

Their influence can be seen in the work of numerous artists who followed in their footsteps. For example, the likes of Stevie Wonder, Prince, and Whitney Houston have all cited Ashford & Simpson as a significant inspiration. This legacy is a testament to the duo's innovative spirit, creativity, and dedication to their craft.

In 2002, Nickolas and Valerie were both inducted into the Songwriters Hall of Fame, a fitting recognition of their contributions to music history. Their induction marked a milestone in their careers, acknowledging the impact they had on the industry as songwriters, producers, and artists.

Throughout their career, Ashford & Simpson remained committed to their art, continually pushing boundaries and exploring new sounds. This commitment is evident in albums such as "Street Opera" (1982) and "High-Rise" (1983), which showcased their ability to adapt to changing musical landscapes while maintaining their unique signature.

The duo's personal lives were also marked by significant milestones, including the birth of their two daughters, Nicole Ashford and Asia Ashford. Valerie's solo albums, released during their time at Motown, though initially met with commercial disappointment, demonstrate her range as a vocalist and songwriter in her own right.

In 2011, after nearly five decades of creating music together, Nickolas Ashford passed away, leaving behind an enduring legacy that continues to inspire new generations of musicians. Valerie Simpson has since continued to perform and record, ensuring the duo's music remains alive and vibrant.

The significance of Ashford & Simpson's contributions to music history cannot be overstated. Their innovative spirit, creativity, and dedication to their craft have left a lasting impact on the industry. As artists, songwriters, and producers, they have inspired countless musicians and continue to shape the sound of contemporary music.

Curated from public records and music databases.