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A-ha

A-ha

1983–presentNorway

About A-ha

A-ha (often stylised as a-ha; Norwegian pronunciation: [ɑˈhɑː]) are a Norwegian synth-pop band formed in Oslo in 1982. Founded by Paul Waaktaar-Savoy (guitars and vocals), Magne Furuholmen (keyboards, guitars and vocals), and Morten Harket (lead vocals), the band rose to fame during the mid-1980s. A-ha achieved their biggest success with their debut album Hunting High and Low in 1985. The album peaked at number one in their native Norway, number two in the UK, and number 15 on the US Billboard album chart; yielded the international number-one single "Take On Me", as well as "The Sun Always Shines on T.V."; and earned the band a Grammy Award nomination for Best New Artist. In the UK, Hunting High and Low continued its chart success into the following year, becoming one of the best-selling albums of 1986. The band released studio albums in 1986, 1988, and 1990, with single hits including "Hunting High and Low", "The Living Daylights", "Stay on These Roads", and "Crying in the Rain". In 1994, after their fifth studio album, Memorial Beach (1993), failed to achieve the commercial success of their previous albums, the band went on hiatus.

Read more on Wikipedia →

Formed

1983

Origin

Norway

Discography

Hunting High and Low (1985)

Scoundrel Days (1986)

Stay on These Roads (1988)

East of the Sun, West of the Moon (1990)

Best in Brazil (1991)

Headlines and Deadlines: The Hits of a‐ha (1991)

The Very Best of A-Ha (1992)

Memorial Beach (1993)

minor earth | major sky (2000)

Lifelines (2002)

The Singles: 1984–2004 (2004)

Analogue (2005)

Greatest Hits (2007)

Foot of the Mountain (2009)

25 (2010)

Members

M

Morten Harket

multi-instrumentalist

M

Magne Furuholmen

multi-instrumentalist

P

Paul Waaktaar-Savoy

multi-instrumentalist

A-ha by Type

TV AppearanceRare

More Clips1 clip

  • Thumbnail for Take On Me - A-Ha (acapella) VoicePlay ft. Anthony Gargiula by A-ha0:47

    Take On Me - A-Ha (acapella) VoicePlay ft. Anthony Gargiula

    A-ha

    TV AppearanceRare

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A-ha — Rare Footage & Clips

The Oslo Sound that Launched a Thousand Synths In the dimly lit studios of Oslo in 1982, three visionaries converged to create something extraordinary – A-ha, the Norwegian synth-pop band that would shake the very foundations of the music industry. Paul Waaktaar-Savoy, Magne Furuholmen, and Morten Harket, each with their unique talents, formed a creative trifecta that would propel them to international stardom.

Their debut album, Hunting High and Low (1985), was more than just a commercial success – it was a game-changer. Peaking at number one in Norway, number two in the UK, and number 15 on the US Billboard album chart, it marked the beginning of A-ha's meteoric rise to fame. The album yielded two international number-one singles: "Take On Me" and "The Sun Always Shines on T.V." – a testament to their innovative blend of synth-pop and catchy hooks.

One can't help but wonder what sparked this creative explosion in Oslo. Was it the city's unique cultural landscape, or perhaps the trio's individual experiences that merged to form something truly special? Whatever the catalyst, A-ha's music captured the essence of 80s pop – a fusion of electronic beats, sweeping synths, and memorable melodies.

A-ha's impact on music history cannot be overstated. Their early success paved the way for future synth-pop acts, influencing generations to come. In the UK, Hunting High and Low continued its chart success into 1986, becoming one of the best-selling albums that year. This was no fluke – A-ha had tapped into a cultural zeitgeist that resonated with audiences worldwide.

The band's subsequent releases solidified their position as synth-pop pioneers. Scoundrel Days (1986) and Stay on These Roads (1988) further cemented their status, yielding hit singles like "Hunting High and Low" and "The Living Daylights". Even their later work, such as East of the Sun, West of the Moon (1990), demonstrated an unwavering commitment to pushing the boundaries of synth-pop.

But A-ha's significance extends beyond their music alone. They represent a cultural phenomenon – a symbol of Norway's emergence onto the global stage in the 1980s. As the country's economy began to flourish, its creative industries started to gain international recognition. A-ha's success was, in part, a reflection of this newfound confidence.

In an era dominated by the likes of Duran Duran and The Cure, A-ha carved out their own niche – one that blended catchy hooks with introspective lyrics. Their music spoke to a generation disillusioned with mainstream culture, seeking something more authentic and meaningful. This was no small feat, especially considering the band's early struggles to find their footing in the competitive music industry.

A-ha's impact on popular culture cannot be overstated. They have been name-checked by numerous artists, from Depeche Mode to The Killers, as a major influence on their own work. Their innovative use of synths and electronic beats has left an indelible mark on the music landscape.

But A-ha's story is not without its challenges. After releasing five studio albums between 1985 and 1993, they went on hiatus in 1994 – a decision that would prove to be a necessary step for the band's creative rebirth. Memorial Beach (1993), their fifth studio album, failed to achieve the commercial success of their previous work, prompting a period of introspection and re-evaluation.

The Very Best of A-Ha (1992) served as a testament to their enduring legacy – a compilation that distilled their most iconic tracks into one cohesive package. This collection would go on to become a staple of 90s nostalgia, introducing a new generation to the band's timeless sound.

In the years since their hiatus, A-ha has continued to produce music, albeit at a slower pace. Minor earth | major sky (2000) and Lifelines (2002) demonstrated an unwavering commitment to their art, even in the face of changing musical landscapes. Their decision to continue creating music, despite the decline of synth-pop's mainstream popularity, speaks volumes about their dedication to their craft.

As one delves deeper into A-ha's discography, it becomes clear that their influence extends far beyond their own genre. They have inspired a wide range of artists, from electronic pioneers like Moby to indie rock bands like Arcade Fire. Their innovative use of synths and electronic beats has left an indelible mark on the music landscape.

In conclusion – or rather, in reflection – A-ha's impact on music history cannot be overstated. They represent a cultural phenomenon – a symbol of Norway's emergence onto the global stage in the 1980s. Their innovative blend of synth-pop and catchy hooks has left an indelible mark on popular culture, influencing generations to come.

As one gazes upon the Oslo Sound that launched a thousand synths, it becomes clear that A-ha's legacy will endure for years to come – a testament to their unwavering commitment to their art.

Curated from public records and music databases.